Geography
Dr Sean Carter
Senior Lecturer in Human Geography
Key publications | Publications by category | Publications by year
Key publications
Carter, S.R., Dodds, K. (2011). Hollywood and the 'War on Terror': Genre-geopolitics and 'Jacksonianism' in the Kingdom. Environment & Planning D: Society & Space, 29(1), 98-113.Abstract:
This paper explores the popular geopolitics of Hollywood cinema in the years since the terror attacks on New York & Washington on September 11th 2001. During this time there has been a surprisingly varied and wide-ranging output of mainstream US movies that take either 9/11, or the consequential ‘war on terror’, as their primary context. In the paper we look at one such film in particular, the 2007 film ‘The Kingdom’, directed by Peter Berg. Set in Saudi Arabia, the film centres around an FBI-led investigation into a terrorist attack on an American civilian compound. In discussing the narrative and discursive elements of the film, and their relationship to the geopolitics of the ‘war on terror’, we also seek to build upon recent conceptual developments in the field of popular geopolitics. In particular, we argue that a greater recognition and understanding of the visuality of the geopolitics of film is required. We do this in two main ways. First, we suggest that attention needs to be paid to the ways in which images in films are put together. Here we use the notion of montage to show how film produces imaginative maps of connectivity, that in this context bear relation to the production of a series of ‘extra-territorialities’ in the war on terror. Second, we contend that greater attention to the notion of genre (in this case the action-thriller) can provide productive forms of analysis. More specifically we argue that the action-thriller genre has certain political tendencies, especially towards what has been termed Jacksonianism. Abstract.
Abstract:
Hollywood and the 'War on Terror': Genre-geopolitics and 'Jacksonianism' in the Kingdom
This paper explores the popular geopolitics of Hollywood cinema in the years since the terror attacks on New York & Washington on September 11th 2001. During this time there has been a surprisingly varied and wide-ranging output of mainstream US movies that take either 9/11, or the consequential ‘war on terror’, as their primary context. In the paper we look at one such film in particular, the 2007 film ‘The Kingdom’, directed by Peter Berg. Set in Saudi Arabia, the film centres around an FBI-led investigation into a terrorist attack on an American civilian compound. In discussing the narrative and discursive elements of the film, and their relationship to the geopolitics of the ‘war on terror’, we also seek to build upon recent conceptual developments in the field of popular geopolitics. In particular, we argue that a greater recognition and understanding of the visuality of the geopolitics of film is required. We do this in two main ways. First, we suggest that attention needs to be paid to the ways in which images in films are put together. Here we use the notion of montage to show how film produces imaginative maps of connectivity, that in this context bear relation to the production of a series of ‘extra-territorialities’ in the war on terror. Second, we contend that greater attention to the notion of genre (in this case the action-thriller) can provide productive forms of analysis. More specifically we argue that the action-thriller genre has certain political tendencies, especially towards what has been termed Jacksonianism.Carter, S.R., McCormack, D.P. (2010). Affectivity and Geopolitical Images in Dodds ,K ,Hughes ,R ,McDonald ,F (eds.) Observant States: Geopolitics & Visual Culture, London: IB Tauris.
